The second edition of the Telekom UnderhillFest, an international documentary film festival, showed that the audiences in Montenegro have a special interest in the unique world of creative documentary films. “I believe that the audiences of this year’s and last year’s UnderhillFest feel the beauty and the simplicity in this kind of film, which is a different form of narration and emotion than that of a classic documentary or feature film, which cannot be compared with creative documentaries,” said Anđelka Nenezić, the director of UnderhillFest, in an interview for Southeast Europe: People and Culture.
The festival was named UnderhillFest because it is the literal translation Montenegro’s capital Podgorica into English. The festival was founded by the producers Anđelka Nenezić and Sanja Jovanović.
“Podgorica now has an important and original film festival. The festival has its audiences and partners with whom we need to continue working for the future editions of UnderhillFest. We shall strive to give them even more reasons to continue collaborating with us,” Sanja Jovanović told Southeast Europe: People and Culture. She pointed out that UnderhillFest is an alternative and independent festival both in view of its programme and its production concept.
Twenty different works were shown at this open air festival held at the end of May. Cinema Komunisto, one of the most acclaimed films in the region, opened the event at the Small Sports Stadium, in front of more than three hundred viewers. The film proved to be so popular that there was an additional standing room for another 100 members of audience for the entire 100 minute long film. Mila Turajlić, the director of the film, then declared the festival open.
Oliver Sertić, a member of the Restart organisation and a producer from Croatia, was a member of the jury. He told Southeast Europe: People and Culture that UnderhillFest was a great experience for him, “Mostly because it is held in a country where few important documentaries have been produced in the past twenty years and of which we in Croatia know very little, especially when it comes to culture. I was also pleasantly surprised by the superb young team in charge of the organisation of the festival, particularly due to the independent nature of the films.”